Image Gallery

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forbes852.tif desdericollage.tif fefoot.tif
A ballet class (Forbes, 1964: 85). Eugène Disdéri, collage of legs and feet of ballerinas, 1860 (Nochlin, 1994: 39) Fanny Essler's foot, carved in marble, 1846 (Winkelbauer, 1984: 53).
forbes79.tif reademtbayadere.tif reademtbush.tif
M. Taglioni in "Flore et Zéphire" and "La Bayadère" (Forbes, 1965: 79). M. Taglioni in "Le Dieu et la Bayadère," 1831 (Reade, 1967: Plate 105). Marie Taglioni and A Guerra in "L'Ombre," 1840 (Reade, 1967: Plate 114).
reademtsylphe.tif levmtsylphide.tif forbes78.tif
Marie Taglioni in “La Sylphide”, 1832 (Reade, 1967: Pate 110). M. Taglioni in "La Sylphide" (Levinson, 1977: 61) M. Taglioni and Clara Webster, 1830s (Forbes, 1965: 78)
readequatre.tif readecgesmeralda.tif forbes71.tif
Pas de Quatre, 1846 (Reade, 1967: Plate 118). Carlotta Grisi and Jules Perrot in "La Esmeralda," 1844-46 (Reade, 1967: Plate 115). Charlotta Grisi in "The Peri," 1844 (Forbes, 1965: 71).