Links
Petrarch's story about climbing
Mount Ventoux in 1536, sometimes seen as the end of the Middle Ages
and the beginning of the Renaissance
Resources for medieval
England
This website from Paul Halsall at the
University of North Florida links to several documents as well as
several representations of death (and other themes) in late medieval art
Here's a long bibliography
on death in the late middle ages.
An informative, illustrated site discussing death
in late medieval art.
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Long-term issues that needed resolution
- The pope's temporal power (and the princes' spiritual power)
- Tensions between the authority of Scripture, the authority of the
hierarchy, and the authority of reason
- Popular religion and local religious customs
Late medieval problems
- Anxiety about death (the painting below by Giovanni di Paolo, 1443,
is characteristic)
- Abuses and failures of the Church ; disappointments with conciliarism
- Heresy; superstition
- Growth of nationalism
- Social and economic changes
Interpretations of the Reformation
- Mainline Protestant: The late medieval Church was trapped by financial
needs and the sacramental system; Luther and other Reformers rediscovered
the message of Scripture
- Mainline Catholic: The late medieval Church recognized its abuses
and was working to correct them, but Luther and other Reformers, impatient
and not always emotionally balanced, embraced schism
- Liberal Catholic: The Reformation WAS a late medieval event, and represented
an exaggeration of the acknowledged defects of the late medieval Church
- Whiggish /Enlightenment: The Reformation represented a decisive step
towards political freedom, individual conscience, the authority of reason,
and the validation of experience
- Marxist: The Reformation represents a symptom of the bourgeois revolution
against feudalism, with signs of the coming revolution of the proletariat
- Humanist: The Reformation represents the religious side of the Renaissance
(ad fontes "back to the sources"; individualism; this-worldliness)
- Nietzsche: The Reformation represents a revolt against the Renaissance
(tribalism against internationalism; other-worldliness against the appreciation
of this world)
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