Publications
Books
[4] Theokrit: Gedichte. Griechisch / Deutsch. Übersetzt und herausgegeben von Regina Höschele, Stuttgart 2016 (Reclams Universalbibliothek 19419).
[3] Aristaenetus: Erotic Letters. Introduced, translated and annotated by Peter
Bing and Regina Höschele, Atlanta 2014 (Writings from the Greco-Roman
World 32).
[2] Die blütenlesende Muse. Poetik und Textualität antiker Epigramm-
sammlungen, Tübingen 2010 (Classica Monacensia 37).
[1]Verrückt nach Frauen. Der Epigrammatiker Rufin, Tübingen 2006
(Classica Monacensia 31).
Articles
2018
[11] “Two Lovers and a Lion: Pankrates’ Poem on Hadrian’s Royal Hunt”, available ahead of print in Philologus.
[10] “κραδίᾳ γνωστὸς ἔνεστι τύπος” (Meleager, AP 5.212.4): Self-Reflexive Engagement with Lyric Topoi in Greek Epigram”, in Aitia 8.1 (2018): https://journals.openedition.org/aitia/1979.
2017
[9] “‘Harvesting from a New Page’: Philip of Thessalonike’s Editorial Undertaking”, Aitia 7.1 (2017), https://aitia.revues.org/1727
2013
[8] “From Ecloga the Mime to Vergil’s Eclogues as Mimes: Ein Gedankenspiel”, Vergilius 59 (2013): 37-60.
2012
[7] “From Hellas with Love: The Aesthetics of Imitation in Aristaenetus’ Epistles”, TAPA 142 (2012): 157-86.
2009
[6] “Works and Nights (Marcus Argentarius, AP 9.161),” CCJ 55 (2009):
59-72 (with Renaud Gagné).
[5] “Catullus’ Callimachean Hair-itage and the Erotics of Translation,” RFIC
137 (2009): 118-52.
2007
[4] “The Traveling Reader: Journeys through Ancient Epigram Books,” TAPA
137 (2007): 333-69.
2006
[3] “Dirty Dancing: A Note on Automedon AP 5.129,” Mnemosyne 59 (2006):
592-5.
[2] “Posidippus col. IV 30-35 = 25 Austin-Bastianini,” ZPE 156 (2006): 99-102
(with David Konstan).
2005
[1] “Eurotas - Wide or Dank? A Note on Rufinus AP 5.60,” CQ 55 (2005):
623-7 (with David Konstan).
Contributions to Books
-
•“Cataloguing Statues: Christodoros’ Ekphrasis of the Baths of Zeuxippos”, forthcoming in Rebecca Lämmle, Cédric Scheidegger Lämmle and Katharina Wesselmann (eds.): Lists and Catalogues in Ancient Literature and Beyond: Towards a Poetics of Enumeration, Berlin.
2019
[23] “A Garland of Freshly Grown Flowers: The Poetics of Editing in Philip’s Stephanos”, in Maria Kanellou, Ivana Petrovic, Chris Carey (eds.): Greek Epigram from the Hellenistic to the Early Byzantine Era, Oxford 2019.
[22] “Greek Epigram at Rome in the 1st century AD”, in Christer Henriksén (ed.): A Companion to Ancient Epigram: 475-90.
2018
[21] “Poets’ Corners in Greek Epigram Collections”, forthcoming in Nora Goldschmidt and Barbara Graziosi (eds.): Tombs of the Poets: Between Text and Material Culture, Oxford: 197-215.
[20] “Et Vergilium faciamus impudentem: Die textuelle Defloration eines jungfräulichen Dichters”, in: Markus Schauer and Johannes Zenk (eds.): Text, Kontext, Klartext: Festschrift für Niklas Holzberg zum 70. Geburtstag, Berlin: 95-118.
2017
[19] “A Lapidary Tête-à-Tête with Homer: Two Epigram Cycles in the Villa of Aelian”, in Yannick Durbec and F. Trajber (eds.), Traditions épiques et poésie épigrammatique, Leiden (Hellenistica Groningana 22): 41-58.
[18] “Anakreon an sein deutsches Alter Ego: Bruncks Widmungsgedicht an Johann Wilhelm Ludwig Gleim”, in S. Weise (ed.): Hellenisti! Altgriechisch als Literatursprache im neuzeitlichen Europa, Stuttgart: 203-18.
2016
[17] “Herodas: Mimiambos 6”, in David Sider (ed.), Hellenistic Poetry: A Selection, Ann Arbor: 338-353.
[16] “Grenfell Erotic Fragment”, in David Sider (ed.), Hellenistic Poetry: A Selection, Ann Arbor: 24-32.
[15] “Unplumbed Depths of Fatuity? Philip of Thessaloniki’s Art of Variation”, in E. Sistakou and A. Rengakos (eds.): Dialect, Diction and Style in Greek Literary and Inscribed Epigram, Berlin: 105-117.
[14] “Epigram and Minor Genres”, in M. Hose and D. Schenker (edd.): A Companion to Greek Literature, Malden, MA: 190-204.
2014
[13] “Honestus’ Heliconian Flowers: Epigrammatic Offerings to the Muses at
Thespiae,” in M.A. Harder, R.F. Regtuit, G.C. Wakker (edd.): Hellenistic
Poetry in Context, Leuven: 171-94.
[12] “‘Er fing an zu singen und sang lauter Mägdchen’. The German Anacreon:
Johann Wilhelm Ludwig Gleim”, in M. Baumbach and N. Dümmler (edd.):
Imitate Anacreon! Mimesis, Poiesis and the Poetic Inspiration in the Carmina
Anacreontea, Berlin: 195-223.
[11] “Greek Comedy, the Novel, and Epistolography”, in M. Fontaine and A.
Scafuro (edd.): Oxford Handbook of Greek and Roman Comedy, Oxford:
735-52.
2013
[10] “Sit pudor et finis: False Closure in Ancient Epigram,” in B. Acosta-
Hughes, F. Grewing and A. Kirichenko (edd.): The Door Ajar: False Closure in
Greek and Roman Literature, Heidelberg: 247-62.
[9] “If I am from Syria, so what? Meleager’s Cosmopoetics,” in S. Ager and R.
Faber (edd.): Belonging and Isolation in the Hellenistic World, Toronto: 19-32.
2012
[8] “A virgo infelix: Calvus’ Io vis-à-vis other cow-and-bull stories,” in S. Bär
and M. Baumbach (edd.): Brill’s Companion to Greek and Latin Epyllion and
its Reception, Leiden: 333-54.
2011
[7]“Inscribing Epigrammatists’ Names: Meleager in Propertius and Philodemus
in Horace,” in A. Keith (ed.), Latin Elegy and Hellenistic Epigram, Cambridge
2011: 19-31.
2010
[6] “Corp(u)s rufinien. L’ecphrasis du corps féminin dans les épigrammes de
Rufin,” in É. Prioux and A. Rouveret (edd.), Métamorphoses du regard ancien,
Paris 2010:137-54.
2009
[5] “Meleager and Heliodora: A Love Story in Bits and Pieces?” in Ingela
Nilsson (ed.), Plotting With Eros: Essays on the Poetics of Love and the Erotics
of Reading, Copenhagen 2009: 99-134.
[4] “Epigrammatizing Lyric: Generic Hybridity in Horace’s Odes,” in M.H. da
Rocha Pereira, J. Ribeiro Ferreira, F. de Oliveira (edd.), Horácio e a sua
perenidade, Coimbra 2009: 71-88.
2008
[3] “Priape mis en abyme, ou comment clore le recueil,” in F. Biville, E.
Plantade and D. Vallat (edd.): «Les vers du plus nul des poètes…». Nouvelles
Recherches sur les Priapées, Lyon 2008: 53-66.
[2] “Longe longissimum: Il carmen 68 del Corpus Priapeorum,” in Alfredo
Morelli (ed.), EPIGRAMMA LONGUM. From Martial to Late Antiquity,
Cassino 2008: 383-96.
2005
[1] “Moreto-Poetik: Das Moretum als intertextuelles Mischgericht,” in Niklas
Holzberg (ed.): Die Appendix Vergiliana: Pseudepigraphen im literarischen
Kontext, Tübingen 2005: 244-69.
Encyclopedia Entries
[4] “Nachleben: Carmina Priapea,” in Rezeption der antiken Literatur
(Der neue Pauly, Supplement 7). Stuttgart 2010.
[3] “Greek Epigram.” Oxford Encyclopedia of Ancient Greece and Rome. vol.
5, 372-75. New York 2010.
[2] “The Greek Anthology.” OEAGR vol. 3, 362-65. New York 2010.
[1] “Daphnis and Chloe.” OEAGR vol. 2, 359-61. New York 2010.
Reviews
2017
[30] Timo Christian (2015): Gebildete Steine. Zur Rezeption literarischer Techniken in den Versinschriften seit dem Hellenismus, Göttingen. In Gnomon 89 (2017): 69-70.
2016
[29] Sascha Kansteiner et. al. (eds.) (2014) Der neue Overbeck: Die antiken Schriftquellen zu den bildenden Künsten der Griechen. In Gymnasium 123 (2016): 312-313.
[28] Lucia Floridi (2014), Lucillio, Epigrammi. Introduzione, testo critico, traduzione e commento. In Gnomon 88 (2016): 747-748.
2014
[27] Andreas Schatzmann (2012), Nikarchos II: Epigrammata. Einleitung,
Texte, Kommentar, Göttingen. In Classical World 107 (2014): 565-6.
[26] Basil Dufallo (2013), The Captor’s Image: Greek Culture in Roman
Ecphrasis, Oxford. In sehepunkte 14.9 (2014).
2013
[25] Alexander Sens (2011), Asclepiades of Samos: Epigrams and Fragments,
Oxford. In JHS 133 (2013): 193-94.
[24] Christine Luz (2010), Technopaegnia: Formspiele in der griechischen Dichtung, Leiden. In Gymnasium 120 (2013): 60-1.
2012
[23] Holt Parker (trans. and ed.) (2010), Antonio Beccadelli: Hermaphroditus,
Cambridge/MA (I Tatti Renaissance Library). In CW 106 (2012): 142-4.
[22] Aaron Poochigian (2010): Aratus. Translated with an introduction and
notes, Baltimore. In Mouseion 10 (2010): 101-5.
2011
[21] Manuel Baumbach, Andrej Petrovic and Ivana Petrovic (eds.) (2010):
Archaic and Classical Greek Epigram, Cambridge. In NECJ 38 (2011): 285-7.
2010
[20] Silvia Mattiacci and A. Perruccio (2007): Anti-mitologia ed eredità
neoterica in Marziale, Pisa. In Phoenix 64 (2010): 450-1.
[19] “Laughing with the Ancients: The Work of Niklas Holzberg”. In
Praesentia 11 (2010).
[18] Gordon Fain (2008): Writing Epigrams. The Art of Composition in
Catullus, Callimachus and Martial, Bruxelles. In Gnomon 82 (2010): 562-3.
[17] Nina Otto (2009): Enargeia: Untersuchungen zur Charakteristik
alexandrinischer Dichtung, Stuttgart. In RFIC 138 (2010): 481-4.
[16] Benjamin Acosta-Hughes (2010): Arion’s Lyre: Archaic Lyric into
Hellenistic Poetry, Princeton. In NECJ 37 (2010): 291-3.
[15] Alfred Breitenbach (2009): Kommentar zu den Pseudo-Seneca-
Epigrammen der Anthologia Vossiana, Hildesheim. In CR 60 (2010): 459-60.
[14] Évelyne Prioux (2008): Petits musées en vers. Épigramme et discours sur
les collections antiques, Paris. In CW 103 (2010): 555-6.
2009
[13] Lucia Floridi (2007): Stratone di Sardi: Epigrammi. Testo critico,
traduzione e commento, Alessandria; and M.E. Giannuzzi (2007): Stratone di
Sardi: Epigrammi. Introduzione, traduzione e commento, Lecce. In Gnomon.
81 (2009): 647-8.
[12] Irmgard Männlein-Robert (2007): Stimme, Schrift und Bild. Zum
Verhältnis der Künste in der hellenistischen Dichtung, Heidelberg. In IJCT 16
(2009): 260-1.
[11] Joachim Penzel (2006): Imitation und Variation. Ein literarischer
Kommentar zu den Epigrammen des Antipater von Sidon und des Archias von
Antiocheia, Trier. In Gymnasium 116 (2009): 290-1.
[10] Art Spisak (2007): Martial: A Social Guide, London. In Gymnasium 116
(2009): 172-4.
[9] Peter Bing, Jon Bruss (edd.) (2007): Brill’s Companion to Hellenistic
Epigram Down to Philip, Leiden. In CW 102 (2009): 200-201.
2008
[8] Mark Payne (2007): Theocritus and the Invention of Fiction, Cambridge. In
NECJ 35 (2008): 143-5.
[7] Antonella Borgo (2005): Il ciclo di Postumo nel libro secondo di Marziale,
Naples. In AfA 61 (2008): 193-5.
[6] Cornelius Hartz (2007): Catulls Epigramme im Kontext hellenistischer
Dichtung,Berlin-New York (Beiträge zur Altertumskunde 246). In BMCR
2008.02.50.
[5] Alessandro Fusi (2006): M. Valerii Martialis Epigrammaton liber tertius.
Introduzione, edizione critica, traduzione e commento, Hildesheim-Zurich-New
York (Spudasmata 108). In Gnomon 80 (2008): 63-4.
2007
[4] Doris Meyer (2005): Inszeniertes Lesevergnügen. Das inschriftliche
Epigramm und seine Rezeption bei Kallimachos. In CW 101 (2007): 115-6.
[3] “Dipping into Posidippus.” Kathryn Gutzwiller (ed.) (2005): The New
Posidippus. A Hellenistic Poetry Book, Oxford. In CR 57 (2007): 61-2.
2006
[2] Luis Arturo Guichard (2004): Asclepíades de Samos. Epigramas y
fragmentos. Bern-Berlin-Bruxelles etc. In Gnomon 78 (2006): 723-5.
2004
[1] Sibylle Ihm (2004): Eros und Distanz. Untersuchungen zu Asklepiades in
seinem Kreis. München-Leipzig. In BMCR 2004.11.12.
Translations
[3] David Konstan: “Suche und Verwandlung: Erzählmuster in antiken
Romanen und apokryphen Apostelakten.” In Werner Röcke and Julia
Weitbrecht (edd.): Askese und Identität in Spätantike, Mittelalter und früher
Neuzeit, Berlin 2010: 251-68.
[2] David Konstan: “Haben Gefühle eine Geschichte?” In Martin Harbsmeier,
Naomi Kubota, Sebastian Möckel (edd.): Pathos Affekt Emotion.
Transformationen der Antike, Frankfurt a. M. 2009: 27-46.
[1] Glenn Most: “Bibliographischer Essay”, Der Finger in der Wunde,
München 2007: 273-99.
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