Interdisciplinary Studies"Medical Mythologies." Queen's Quarterly 94.4 (1987): 904-16. (with Michael Hutcheon) "Otherhood Issues: Post-national Operatic Imperatives", Narrative, 3.1 (January 1995): 1-17. (with Michael Hutcheon) "'All Concord's Born of Contraries': Marital Methodologies," Tulsa Studies in Women's Literature 14.1 (May 1995): 59-64. (with Michael Hutcheon) "'Life-and-Death Passions': 'Operatic' AIDS and the Stage", Essays in Theatre 13.2 (May 1995): 111-33 (with Michael Hutcheon). "Melodies and Maladies," Opera Canada (Winter 1995): 14-15. (with Michael Hutcheon) "Sexuality, Sin and the Social Order: Richard Wagner's Parsifal ." Cambridge Opera Journal 7.3 (1995): 261-75. (with Michael Hutcheon) "Famous Last Breaths: The Consumptive Heroine in Opera," Parallax (U.K.), 2 (1996): 1-22 (with Michael Hutcheon) "Arias, Anxieties and Epidemics," Canadian Medical Association Journal 157.12 (December 1997): 1734-5. (with Michael Hutcheon) "'Alles was ist, endet': Living with the Knowledge of Death in Richard Wagner's Der Ring des Nibelungen ." University of Toronto Quarterly 67.4(1998): 789-811. (With Michael Hutcheon) "'Here's Lookin' at You, Kid': The Empowering Gaze in Salome," Profession 98 (MLA), 11-22. (With Michael Hutcheon) "Opera and National Identity: New Canadian Opera," Canadian Theatre Review 96 (1998): 5-8. (with Michael Hutcheon) "'Beve, beve con me': An Operatic Brindisi." Forum Italicum 33.1 (1999): 73-93. (With Michael Hutcheon) "Death Drive: Eros and Thanatos in Wagner's Tristan und Isolde," Cambridge Opera Journal 11.3 (1999): 267-94. (With Michael Hutcheon) "'Death, where is thy sting?': The Emperor of Atlantis," Opera Quarterly 16.2 (2000): 224-39. (With Michael Hutcheon) "Staging Der fliegende Holländer for Our Times," Wagner (U.K.) 21.2 (2000): 63-74. (With Michael Hutcheon) "A Convenience of Marriage: Collaboration and Interdisciplinarity." PMLA 116.5 (2001): 1364-76. (With Michael Hutcheon) "Academic Fear and Loathing," Arcadia 36.2 (2001): 230-34. (With Michael Hutcheon) "Heaven, Hell and the Wagnerians: Wagner in Victorial London," Essays in Theatre 21/1 (2002): 49-72. (with Michael Hutcheon and Helmut Reichenbächer) "Introduction: A Plague on . . . Your (Opera) Houses," University of Toronto Quarterly, Special Issue on Expanding Interdisciplinarity Through Opera, 72.4 (2003): 770-76. (with Michael Hutcheon) "O corpo perigoso," Estudos Feministas 11.1 (2003): 20-59. (With Michael Hutcheon) "History, Empire, Opera", Arcadia 38.2 (2003): 266-70 (with Michael Hutcheon) "The 'Phenomenal Image' in Opera," South Atlantic Quarterly, special issue on Music, Image, Gesture, 104.1 (Winter 2005): 63-78. (with Michael Hutcheon) "The Tones of Venice," Descant 36.2 (2005): 126-32 (with Michael Hutcheon) “Interdisciplinary Opera Studies,” The Changing Profession series, PMLA (2006): 802-10 “Adapting a Canonical Canadian Novel for the Operatic Stage: A Dystopia for Our Times,” University of Toronto Quarterly 75.3 (2006): 815-20. (with Caryl Clark) "Adapting (to) Reality: Cultural and Biological Reproduction," Genetic Admiration, catalogue for exhibit of collage animation work of Frances Leeming. Toronto: Vtape, 2006. 8-9. "Saving Collegiality," Profession 2006, 60-64. "Afterword: Compl(ic)it," Comparative Critical Studies 3 (2006): 159-162. "Medicine in/as Culture: The Teachings of Opera," Canadian Creative Arts in Health, Training and Education Journal (with Michael Hutcheon) http://www.emclean.com "Interdisciplinary Opera," Journal of the British Musical Association 134.1 (2009): 149-60 (with Michael Hutcheon) "Prima la musica, poi le parole? Operatic Challenges to Word-Music Relations", University of Toronto Quarterly 79.3 (2010): 869-880. (with Michael Hutcheon) "Philip Glass's Satyagraha: Para-Colonial Para-Opera." University of Toronto Quarterly, 80.3 (2011): 718-30; special issue in memory of Balachandra Rajan. Ed. David Clark. (with Michael Hutcheon) "Opera: Forever and Always Multimodal." In New Perspectives on Narrative and Multimodality. Ed. Ruth Page. New York and London: Routledge, 2009. 65-77. (with Michael Hutcheon) "Consumptive Heroine in Opera: Sexuality and Gender in Medical and Cultural History." In Partnership Id-Entities: Cultural and Literary Re-Inscriptions of the Feminine. Ed. A. Riem Natale et al. (Udine: Forum Editrice, 2010). 163-73. (with Michael Hutcheon) "Creativity Undiminished". Liner Notes for ATMA cd of the late music of Benjamin Britten, "Divine Musick" (Lawrence Wiliford and Jennifer Swartz) (with Michael Hutcheon) Chapters in Books: "Interdisciplinary Possibilities: Opera and Medicine?" Constructive Criticism: The Human Sciences in the Age of Theory Eds. M. Kreiswirth and T. Carmichael. Toronto: University of Toronto Press, 1995. 137-47. (with Michael Hutcheon) "Imagined Communities: Post-National Canadian Opera." The Work of Opera: Genre, Nationhood, and Sexual Difference. Eds. D. Fischlin and R. Dellamora. New York: Columbia UP, 1997. 235-52. (with Michael Hutcheon) "Staging the Female Body: Richard Strauss's Salome ," Siren Songs: Gender and Sexuality in Opera. Ed. M-A Smart. Princeton: Princeton UP, 2000. 204-221. (With Michael Hutcheon) "'Tutto nel mondo è burla': Rethinking Late Style in Verdi (and Wagner)." Verdi 2001: Atti del convegno internazionale di studi. Ed. Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica. Florence: Olschki, 2003. 905-28. (With Michael Hutcheon) "Smoking in Opera." Smoke: A Global History of Smoking. Ed. Sander Gilman and Zhou Xun. London: Reaktion Press, 2004. 230-35. (with Michael Hutcheon) "Displacement and Anxiety: Empire and Opera," Imperialisms: Historical and Literary Investigations, 1500-1900 . Ed. Balachandra Rajan and Elizabeth Sauer. London: Palgrave Macmillan, 2004. 203-16. (with Michael Hutcheon) "The End of the Beginning." Canadian Opera Company programme notes for Richard Wagner's Götterdämmerung , January-February, 2006. (with Michael Hutcheon) "Narrativizing the End: Death and Opera," A Companion to Narrative Theory. Ed. Peter Rabinowitz and James Phelan. London: Blackwell, 2006. 441-50. (with Michael Hutcheon) "Comparative Literature: Congenitally Contrarian," Comparative Literature in the Age of Globalization, ed. Haun Saussy (Baltimore: Johns Hopkins UP, 2006), 224-29. "Beauvais Lyons: Hokes Medical Arts." Catalogue essay for exhibit at Open Studio, 2008. (with Michael Hutcheon) “'Editorial’ Afterthoughts” in Editing the Image: Strategies in the Production and Reception of the Visual, ed. Mark A. Cheetham, Elizabeth Legge, and Catherine M. Soussloff. Toronto: U of Toronto Press, 2008. 199-205. “Wagner e l’Europa postmoderna: le eridità della guerra” in Conflitti: Strategie di rappresentazione della Guerra nella cultura contemporanea. Rome: Meltemi, 2008. 77-84. (with Michael Hutcheon) “'Sonorous Echoes' of Love and Death” in Salzburger Festspiele book on Charles Gounod, Roméo et Juliette, 2008. 42-46. (with Michael Hutcheon) "Opera: Forever and Always Multimodal." In New Perspectives on Narrative and Multimodality. Ed. Ruth Page. New York and London: Routledge, 2009. 65-77. (with Michael Hutcheon) "The Consumptive Heroine in Opera: Sexuality and Gender in Medical and Cultural History." Partnership Id-Entities: Cultural and Literary Re-Inscriptions of the Feminine. Ed. A. Riem Natale et al. (Udine: Forum Editrice, 2010). 163-73. (with Michael Hutcheon) "Creativity Undiminished". Liner Notes for ATMA cd of the late music of Benjamin Britten, "Divine Musick" (Lawrence Wiliford and Jennifer Swartz) (with Michael Hutcheon)
|