Architecture
in Nature - Farnsworth House (2005)
As
the house is raised off the ground, this achieves two
important goals. Firstly, the area is known to flood
at certain times of the year due to the river overflowing.
Thus, the raised building is lifted above the flood
water, saving it from damage during those seasons. Secondly,
and more importantly to the idea of spatial continuity,
the raised building allows surrounding space to flow
above, through and underneath the house, giving spatial
consciousness to visitors and inhabitants to the house.
The house does not seem to disrupt the flow of space
in nature as its transparent quality moves it away from
obstruction. Aside from this, the steps also raise the
house to a new hierarchical level, so that people entering
the house may feel that they have been lifted over the
world around them. Buildings such as temples, courthouses
and other government buildings also make use of this
technique to emphasize their authority.
From
within the house, the entire landscape in which the
building is located is framed by the pillars, the roof
and the ceiling. This creates a picture like quality
when viewing the surrounding space from within the building.
As mentioned, walls are kept to a minimum to provide
an unobstructed view of the forest and river. The small
amount of walls that are used to create the space within
the Farnsworth House is also either parallel or perpendicular
to each other, creating a strong sense of order within
the building. The walls in effect define the space without
dividing it, strengthening the openness of the entire
site. Another interesting note about the openness of
the building, aside from the idea that it unites the
architecture with nature, is the way in which it encourages
people within the house to observe nature. Raised on
a platform and seemingly raised above the natural landscape,
observers within the building look at nature from a
different perspective than if they were standing outside.
They are encouraged to study the space from an observational
viewpoint as if they were away from the scenery but
still close enough to examine it.
A
recurring theme throughout this essay has been the use
of glass walls to aid in the bringing of nature into
the interior of the house. Like many of Mies’
work in America, he uses glass in conjunction with steel
to create a practical yet aesthetically pleasing combination.
“I” beams are used to support the roof and
create the skeleton to help support the glass walls.
They are painted white to soften the contrast they create
with the translucency of the windows, and also to create
a lighter form for the building that emphasizes the
residential purpose of the Farnsworth House. It is interesting
to note that such common industrial products could be
used to achieve an aesthetically pleasing look that
works effectively with both the transparent and the
reflective aspect of the glass. The choice of these
two materials continue to show Mies’ interest
in the use of technology and its importance to modern
architecture. The wall that forms the service core of
the house inside is made from timber, which suggests
the desire to bring nature into the interior of the
dwelling. Also, it puts forward the idea that Mies wanted
to create a feeling of warmth inside the house, an idea
that is supported by the placement of a fireplace against
this wooden wall.
In
relation to history, the Farnsworth House takes on a
character similar to all other modern architecture.
It rejected historical references and placed function
over form. The Farnsworth House is stripped of all decorative
ornaments and its aesthetic beauty comes from the use
of materials and its placement in relation to the landscape
as discussed earlier. It does however, suggest a small
yearning to the imitation of nature that is at the root
of architecture as proposed by Marc-Antoine Laugier
. The vertical steel beams bear a resemblance towards
the slim tree barks that rise upwards around the surrounding
forest. With the curtains of the house drawn, it is
only the horizontal elements that suggest the presence
of a manmade dwelling.
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