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The cultural landscape is the
environment around us which has been shaped by our interactions with
all the constituent parts of that environment -- the trees, plants,
weather, houses, cars, other people, bugs, and a rather large number of
other elements.
In the twenty-first century, we are made quite aware of some of the
problems involved in our relationship with our environments -- many
people are also in a position to enjoy their environmental interactions
considerably.
Although the study of the cultural landscape has many social and
political goals, at a most basic level, it is an attempt to understand
the processes by which we engage our environments, with the most
obvious goals of adding insight to these processes so that we might
better understand both the possibilities and problems involved.
I find the cultural landscape fascinating for a number of reasons. The
record that our creative interactions with the circumstances of
everyday life leaves around us interests me aesthetically, morally, and
practically: I read in the landscape a tremendous number of stories
about what people have done in the past and what they have hoped for
the future; I am continually delighted by the complexity and beauty of
cultural and natural systems; and I find a great sense of equanimity in
the ongoing adaptation and resiliance of both these natural and
cultural systems in the face of disruption, change and stresses that
serve as constant reminders that the unknown is always much larger than
the known.
Ongoing, active involvement with the processes of the cultural
landscape around me seems to me one of the best ways I have to remain
engaged with both the culture and the environment of which I am a part.
The modernization of the built environment has brought problems which
our culture has often responded to with an attitude of escape; I find
in my interest and interaction with the cultural landscape a compelling
way to engage these problems at a scale appropriate to what is
plausibly achieved in everyday life.
Many of the most pressing issues of culture and environment at the turn
of the twenty-first century are themselves products of or exacerbated
by our sense of the natural environment as a medium for escape -- and
our sense of culture as something from which we need escape! Attention
to the cultural landscape not only allows us to gain insights into the
way we do and might behave in our environments, but also provides us
access to an understanding of our environments that includes us as part
of the landscape, and that helps us to understand the natural
environment not only as something apart from us which our modernization
has exploited furiously, but also as a series of processes of which we
are part, and within which we have had a long history. This rich sense
of our constant participation in the processes which surrounds us not
only helps us see continuity along with change in the context of
modernization and globalization, but it also helps us to get a sense of
the profoundly social nature of our environmental experience.
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