The Calligraphy of Medieval Music
|University of Toronto, Trinity College, George Ignatieff Theatre|
21-23 September 2007
|The conference is free of charge and open to all.|
Friday, 21 September, 2-5 PM
Andy Orchard (Provost, Trinity College): Greetings
Saturday, 22 September, 9-11:30 AM
John Haines: Introduction
Susan Rankin: "Procedures and Stylization in Eleventh-Century Neume Forms"
Franz-Karl Prassl: "Music Scribes in Tenth-Century St. Gall"
David Hiley: "Music Notation in Norman Sicily"
Lawrence Earp, Chair
Michel Huglo: "Towards a Scientific Paleography of Music"
Margot Fassler: "Liturgy, Music and Paleography at Chartres"
Olivier Cullin: "The Calligraphy of Carthusian Music Books"
James Kippen, Chair
Weiping Zhao: "On the History of Chinese Tablature and Its Study"
Getatchew Haile: "Manuscript Production in Ethiopia: An Ongoing Practice"
Catherine Martin: "On Mi'qmaq Writing and Its Context"
4:30-6 PM (University of Toronto Art Centre - 15 King's College Circle, Toronto ON, M5S 3H7)
Susan Rankin, Chair
Sunday, 23 September, 10-12 AM
Bettina Ryan: "Experiments in Recreating Medieval Music Notation"
Randall Rosenfeld: "Scribal Tools of the Notator"
David Hiley, Chair
Lawrence Earp: "Interpreting the Deluxe Manuscript"
Anna-Maria Busse Berger: "The Consequences of Ars Nova Notation"
Barbara Haggh: "Two 16th-century Examples of Late Square Notation at Cambrai"
John Haines: Concluding Words
For further information, contact Meghan Forsyth at email@example.com.